{"id":66,"date":"2026-02-09T18:15:35","date_gmt":"2026-02-09T23:15:35","guid":{"rendered":"https:\/\/lmagnan.dectim.ca\/env_professionnel_TP2\/blogue\/?page_id=66"},"modified":"2026-05-21T12:22:44","modified_gmt":"2026-05-21T16:22:44","slug":"service-2","status":"publish","type":"page","link":"https:\/\/lmagnan.dectim.ca\/env_professionnel_TP2\/blogue\/service-2\/","title":{"rendered":"Service 2"},"content":{"rendered":"\n
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Animation 3D<\/mark><\/h1>\n\n\n\n
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Nous joindre<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n
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L\u2019animation 3D permet de donner vie \u00e0 des objets<\/mark><\/strong>, produits <\/mark><\/strong>ou personnages <\/mark><\/strong>num\u00e9riques en cr\u00e9ant du mouvement <\/mark><\/strong>r\u00e9aliste et fluide<\/mark><\/strong>. Gr\u00e2ce \u00e0 des techniques avanc\u00e9es comme le rigging, le keyframing et la simulation physique, l\u2019animation transforme un mod\u00e8le statique en une exp\u00e9rience dynamique.<\/p>\n\n\n\n

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Public cible<\/h2>\n\n\n\n
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  • Les compagnies de jeu vid\u00e9o<\/li>\n\n\n\n
  • Les studios de m\u00e9trages<\/li>\n\n\n\n
  • N\u2019importe quelle compagnie voulant une publicit\u00e9<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
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    Tendances<\/h2>\n\n\n\n
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    • L\u2019IA \u00ab agentique \u00bb : l\u2019assistant, pas le rempla\u00e7ant<\/li>\n\n\n\n
    • Le \u00ab plushcore \u00bb et l\u2019esth\u00e9tique tactile<\/li>\n\n\n\n
    • Le rendu non photor\u00e9aliste (NPR) stylis\u00e9<\/li>\n\n\n\n
    • L\u2019animation \u00ab liquide \u00bb et la typographie cin\u00e9tique<\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n\n\n
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      Exemples de produits<\/h2>\n\n\n\n
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      Flux de production<\/h2>\n\n\n\n
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      1. Script et Storyboard <\/em>(La Fondation)<\/h3><\/div>

      Avant d’ouvrir un logiciel 3D, on d\u00e9finit l’histoire.<\/p><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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      2. Conception et Mod\u00e9lisation (Assets)<\/h3><\/div>

      Cr\u00e9ation de tous les \u00e9l\u00e9ments de la sc\u00e8ne (personnages, d\u00e9cors, accessoires).<\/p><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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      3. Rigging <\/em>et Skinning <\/em>(Le Squelette)<\/h3><\/div>

      C’est l’\u00e9tape technique o\u00f9 l’on donne \u00ab\u00a0vie\u00a0\u00bb \u00e0 la g\u00e9om\u00e9trie.<\/p><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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      4. Layout <\/em>et Cam\u00e9ra (Mise en sc\u00e8ne)<\/h3><\/div>

      On place les mod\u00e8les (rigg\u00e9s) dans le d\u00e9cor final et on anime la cam\u00e9ra.<\/p><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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      5. L’Animation (Blocking <\/em>\u00e0 Polishing<\/em>)<\/h3><\/div>

      Le c\u0153ur du m\u00e9tier. On d\u00e9finit les poses cl\u00e9s (Keyframes<\/em>).<\/p><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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      6. Simulation de Dynamiques (VFX)<\/h3><\/div>

      Tout ce qui bouge de fa\u00e7on proc\u00e9durale et physique.<\/p><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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      7. Lighting <\/em>et Shading <\/em>(LookDev<\/em>)<\/h3><\/div>

      On habille la sc\u00e8ne avec la lumi\u00e8re pour cr\u00e9er l’ambiance.<\/p><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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      8. Rendu (Rendering<\/em>)<\/h3><\/div>

      Calcul final des images.<\/p><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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      9. Compositing <\/em>et Effets Visuels<\/h3><\/div>

      On assemble toutes les couches dans un logiciel comme Nuke ou After Effects.<\/p><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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      10. Sound <\/em>Design et Montage Final<\/h3><\/div>

      L’animation ne fonctionne jamais sans le son.<\/p><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>

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      Du sketch \u00e0 l’animation<\/h2>\n\n\n\n\t\t\t\n\t